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Edward Liddall Armitage or E. Liddall Armitage (1887–1967) was an English stained-glass designer. [1] He studied and worked with Karl Parsons and Henry Holiday before going into partnership with Victor Drury.
He served as President of the Stained Glass Association of America, 1929–1930. [18] He was a member of the Philadelphia Board of Education (1934–1948), and organized art exhibitions that toured the city's public schools. [19] The University of Pennsylvania hosted a 1938 exhibition of D'Ascenzo's paintings, drawings and stained glass. [20]
Lawrence Bradford Saint (January 30, 1885 – June 22, 1961) was an American stained glass artist. His work is most notably featured in the Washington National Cathedral where he served as the head of the stained glass department.
The Journal of Stained Glass, Burne-Jones Special Issue, Vol. XXXV, 2011 ISBN 978 0 9568762 1 8; The Journal of Stained Glass, Scotland Issue, Vol. XXX, 2006 ISBN 978-0-9540457-6-0; The Journal of Stained Glass, Special Issue, The Stained Glass Collection of Sir John Soane's Museum, Vol. XXVII, 2003 ISBN 0 9540457 3 4
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
English Gothic stained glass windows were an important feature of English Gothic architecture, which appeared between the late 12th and late 16th centuries.They evolved from narrow windows filled with a mosaic of deeply-coloured pieces of glass into gigantic windows that filled entire walls, with a full range of colours and more naturalistic figures.
The Panels of Chartres Cathedral Windows, Creation and the Good Samaritan, contain 24 stained-glass windows. Plates one through three depict shoemakers, the funders of the window. Panels four through twelve from bottom to top depict the Story of the Good Samaritan, and the other panels - thirteen to twenty-four - depict the Story of Creation.
Detail of the Simeon window in St Brendan's Cathedral, Loughrea. The official start of Michael Healy's stained glass career coincided with the opening of An Túr Gloine in January 1903, and for the first two years he executed, or assisted in the execution of, a total of thirteen stained glass windows; in the case of the majority of these he assisted in the painting (often working alongside ...