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  2. Onna-musha - Wikipedia

    en.wikipedia.org/wiki/Onna-musha

    In the West, the onna-musha gained popularity when the historical documentary Samurai Warrior Queens aired on the Smithsonian Channel. [41] [42] Several other channels reprised the documentary. The 56th NHK taiga drama, Naotora: The Lady Warlord, was the first NHK drama where the female protagonist is the head of a samurai clan. [43]

  3. Tomoe Gozen - Wikipedia

    en.wikipedia.org/wiki/Tomoe_Gozen

    Tomoe Gozen (巴 御前, Japanese pronunciation: [5]) was an onna-musha, a female samurai, mentioned in The Tale of the Heike. [6] There is doubt as to whether she existed as she doesn't appear in any primary accounts of the Genpei war. She only appears in the epic "The tale of the Heike".

  4. Musha-e - Wikipedia

    en.wikipedia.org/wiki/Musha-e

    Musha-e (武者絵) is a type a Japanese art that was developed in the late 18th century. It is a genre of the ukiyo-e woodblock printing technique, and represents images of warriors and samurai from Japanese history and mythology. [1] [2]

  5. Hikimayu - Wikipedia

    en.wikipedia.org/wiki/Hikimayu

    Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).

  6. Tomoko and Mother in the Bath - Wikipedia

    en.wikipedia.org/wiki/Tomoko_and_Mother_in_the_Bath

    The black-and-white photo depicts a mother cradling her severely deformed, naked daughter in a traditional Japanese bathroom. The mother, Ryoko Kamimura, agreed to deliberately pose the startlingly intimate photograph with Smith to illustrate the terrible effects of Minamata disease (a type of mercury poisoning ) on the body and mind of her ...

  7. Utamaro and His Five Women - Wikipedia

    en.wikipedia.org/wiki/Utamaro_and_His_Five_Women

    Edo (now Tōkyō) in the 18th century.During a parade of samurai and their families and concubines, Seinosuke Koide, a samurai and artist affiliated to a Kanō school master, visits a print shop where he sees a woodcut print by Utamaro that boasts the superiority of his ukiyo-e style over the prevailing Chinese style.

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