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Landscape at Auvers in the Rain is an oil painting on canvas by the Dutch Post-Impressionist painter Vincent van Gogh. Painted in July 1890, and completed just three days before his death, it depicts a landscape at Auvers-sur-Oise , where van Gogh spent the last 70 days of his life. [ 2 ]
Mountain Landscape with Rainbow (German: Gebirgslandschaft mit Regenbogen), is an oil painting by the German Romantic artist Caspar David Friedrich, from 1809-1810.Depicting a traveler who has stopped to view a mountainous landscape with a rainbow shining above, the painting was inspired by Friedrich's travels through Germany and along the shores of the Baltic Sea in 1809.
Landscape with Rainbow is an oil on canvas painting by the African-American artist Robert S. Duncanson. The Hudson River School landscape painting was completed in 1859, while Duncanson was living in Cincinnati, Ohio. It has been in the collection of the Smithsonian American Art Museum in Washington, D.C. since 1983.
[1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings. Influenced by European painters, but with a strong American sensibility, [3] he was prolific throughout his career and worked primarily with oil on canvas. His paintings are typically allegoric and ...
Landscape painting, also known as landscape art, is the depiction in painting of natural scenery such as mountains, valleys, rivers, trees, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of ...
A waterfall punctuates the landscape near the forest's edge, further animating the tranquil scene. [1] An image of the painting is difficult to fully capture with photography, particularly in the attempt to duplicate the intensity of the reflected orange and red sunset light which sparkles with scumbled paint. [2] "The painting seems to exude a ...
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The view Cole sought to paint was a particularly difficult one, as its panoramic breadth extended beyond the width of typical landscape paintings of the period. [1] To solve this problem, Cole stitched together two separate views from Mt. Holyoke, creating a synthetic, rather than a faithful, image of the scene. [ 7 ]