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José Protasio Rizal Mercado y Alonso Realonda [7] (Spanish: [xoˈse riˈsal,-ˈθal], Tagalog: [hoˈse ɾiˈsal]; June 19, 1861 – December 30, 1896) was a Filipino nationalist, writer and polymath active at the end of the Spanish colonial period of the Philippines.
The prologue for W.E. Retana’s book on Rizal was written by Javier Gómez de la Serna, while the epilogue was written by Miguel de Unamuno (1864–1936). Vida y Escritos del Dr. José Rizal is the first biographical account of the life of Rizal written by a non-Filipino author (the second is Rizal: Philippine Nationalist and Martyr by British ...
Coates's Rizal Philippine Nationalist and Martyr is the second biographical account of the life and career of Rizal authored by a non-Filipino (the first was Vida y Escritos del Dr. José Rizal or "Life and Writings of Dr. José Rizal" written by W.E. Retana that was published in 1907, thus Coates's book on Rizal was the first European biography of Rizal since that year).
Austin C. Craig (February 22, 1872 – February 11, 1949) [2] was an American historian born in Eddyton, New York. Being one of the first biographers of the Philippine national hero, José Rizal, a street was named after him in Sampaloc, Manila.
Rizal Without the Overcoat is a book by Filipino writer Ambeth Ocampo, adapted from his "Looking Back" column in the Philippine Daily Globe from October 1987 to July 1990. . These writings were attempts to "translate" José Rizal and his historical context so that he could be better understood by a new generation—to present "a "new" Rizal that had been obscured by school and myth.
The shrine has a large lawn with a replica of the nipa hut and a statue depicting young Rizal with his dog. The statue was constructed in 1996 by Dudley Diaz for the centennial celebration commemorating Rizal's death. [3] [9] The remains of Rizal's parents, Francisco Rizal Mercado and Teodora Alonso Realonda, are also located in the shrine. [10]
At home, the Rizal ladies recovered a folded paper from the stove. On it was written an unsigned, untitled and undated poem of 14 five-line stanzas. The Rizals reproduced copies of the poem and sent them to Rizal's friends in the country and abroad. In 1897, Mariano Ponce in Hong Kong had the poem printed with the title "Mí último pensamiento ...