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Inspired by the writings of the ancient Roman architect Vitruvius, the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed in both a circle and square. It was described by the art historian Carmen C. Bambach as "justly ranked among the all-time iconic images of Western civilization". [1]
It exhibits their divine ability to wield multiple articles, such as weapons, and perform numerous activities simultaneously. [ 5 ] Indologist Doris Srinivasan states that in both Vaishnava and Shaiva imagery, the Chaturbhuja form is regarded to be the manifestation of a deity who descends upon the earth and performs auspicious acts for the ...
The figures on his right are demonic while on the left are divine, representing the dichotomy of his form. A similar early image is also found at and the Varaha Temple, Deogarh, Uttar Pradesh. [22] A 5th century Garhwa image shows Vishvarupa with six arms and three visible heads: a horse (centre, Hayagriva-avatar of Vishnu), a lion and a boar ...
[12] [13] Such multiple body parts represent the divine omnipresence and immanence (ability to be in many places at once and simultaneously exist in all places at once), and thereby the ability to influence many things at once. [12] The specific meanings attributed to the multiple body parts of an image are symbolic, not literal in context. [14]
As a man or woman on an open lotus, the lotus occasionally is perched on the back of seven sows. As a male deity, often with two or six arms, riding a boar. Riding a fiery chariot pulled by seven savage boars or sows. As a multi-armed woman with a different weapon in each hand, standing or sitting on the back of a boar.
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These multiple arms are uncommon in Shiva's iconography and are exclusively used in his combative forms. [6] In such multiple-armed images, Shiva may carry various attributes like the trishula, a damaru, sword, kapala, pasha, deer, ankusha (goad), vajra (thunderbolt), arrow, gada ( mace ), khatavanga , tanka (a chisel-like weapon), bow, snake ...
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