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The Mysterious Miss C. (French: La mystérieuse Mademoiselle C.) is a Canadian children's fantasy-comedy film, directed by Richard Ciupka and released in 2002. [2] The film stars Marie-Chantal Perron as Mademoiselle Charlotte, a quirky supply teacher who transforms the lives of a struggling class of elementary students. [3]
The film premiered at the 1966 Cannes Film Festival, where it competed for the Palme d'Or, but lost to the tying The Birds, the Bees and the Italians and A Man and a Woman. [5] It was released in France by United Artists on 3 June, and in the United Kingdom on 12 January of the following year.
Marie-Tempête was adapted into a television movie in 1998, dubbed Un hiver de tourmente, directed by Bernard Favre. Two of her later novels, La nouvelle Maîtresse and La Mystérieuse Bibliothécaire, were adapted into a film in 2002 as La mystérieuse mademoiselle C. The film was directed by Richard Ciupka, with the screenplay written by Demers.
Lady J (French: Mademoiselle de Joncquières) is a 2018 French period drama film directed by Emmanuel Mouret and inspired by a story in Denis Diderot's novel Jacques the Fatalist, [2] which had already been adapted in 1945 for the film Les Dames du Bois de Boulogne by Robert Bresson.
Parisienne (French: Peur de rien, lit. 'Afraid of Nothing') is a 2015 French drama film written and directed by Danielle Arbid. [3] It was screened in the Contemporary World Cinema section of the 2015 Toronto International Film Festival. [4]
Mademoiselle from Paris (French: Mademoiselle de Paris) is a 1955 French comedy film directed by Walter Kapps and starring Jean-Pierre Aumont, Gisèle Pascal and Nadine Basile. The film was one of several films set in the work of high fashion made during the decade, popularising the New Look of Christian Dior. [1] It was shot using Eastmancolor.
It is an English-language version of the French film Mademoiselle Docteur, also known as Salonique, nid d'espions, and released in the United States as Street of Shadows, which was filmed at the same time under the direction of G. W. Pabst. Both films have exactly the same plot, but there were differences in the cast between the two: in ...
In 1835 Paris, Ryno de Marigny (Fu'ad Aït Aattou), before marrying the young and innocent Hermangarde (Roxanne Mesquida), makes a last visit to La Vellini (Asia Argento), his Spanish mistress, to bid goodbye in an act of lovemaking. His liaison with La Vellini is the subject of Parisian gossip, and before Hermangarde's grandmother gives her ...