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For All You've Done is the thirteenth album in the live praise and worship series of contemporary worship music by Hillsong Church.The live album was released on 4 July 2004 on Hillsong label, which peaked at No. 1 on the ARIA Albums Chart. [1]
The Hillsong Church started in Australia and from there spread as a Pentecostal movement. Since they started releasing recordings in 1992, they have published and recorded hundreds of songs on over 50 albums, mostly under their own label, Hillsong Music. Below is a list of songs arranged alphabetically by title.
Chord diagrams for some common chords in major-thirds tuning. In music, a chord diagram (also called a fretboard diagram or fingering diagram) is a diagram indicating the fingering of a chord on fretted string instruments, showing a schematic view of the fretboard with markings for the frets that should be pressed when playing the chord. [1]
Brooke Ligertwood announced that she would releasing "A Thousand Hallelujahs" as the first single from her live album, Seven (2022), on 14 January 2022. [4] A Thousand Hallelujahs" was released on 14 January 2022, accompanied with its live music video. [5]
"Glory, Glory" (also known as "When I Lay My Burden Down", "Since I Laid My Burden Down", "Glory, Glory, Hallelujah" and other titles) is an American spiritual song, which has been recorded by many artists in a variety of genres, including folk, country, blues, rock, and gospel.
Finally, having recorded every performance by themselves for the prior two years, Hillsong United decided to release a compilation album comprising the best performances of the best of the whole era of Hillsong United, while including two new songs, "You'll Come", written and performed by Brooke Fraser, and "Love Enough", written by Braden Lang ...
[9] [10] Other mainstay artists in the genre include Capital Kings, LZ7 [11] Gawvi, [12] Hillsong Young & Free, [13] and Andy Hunter. [14] CEDM also includes other subgenres included in EDM, such as dubstep, techno, deep house and trance. [15] There also is a perception of genre-blending between CEDM and contemporary Christian music. [16]
Hallelujah. Part II closes with the Hallelujah chorus which became famous as a stand-alone piece, set in the key of D major with trumpets and timpani. The choir introduces Hallelujah, repeated in homophony, in a characteristic simple motif for the word, playing with the interval of a second, which re-appears