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The first part of "Go to Sleep" is composed in alternating bars of 4/4 and 12/8. [1] It features a processed "stuttering" guitar sound created by Jonny Greenwood . [ 2 ] Radiohead released a live version, recorded in Osaka, for the War Child charity in 2004.
The singles "There There", "Go to Sleep" and "2 + 2 = 5" achieved heavy circulation on modern rock radio. At the 2004 Grammy Awards, Radiohead were again nominated for Best Alternative Album, and Godrich and the engineer Darrell Thorp received the Grammy Award for Best Engineered Album. [93]
It was promoted with the singles "There There", "Go to Sleep" and "2 + 2 = 5", and short films, music videos and webcasts streamed from Radiohead's website. Hail to the Thief received acclaim; it was the fifth consecutive Radiohead album nominated for a Grammy Award for Best Alternative Music Album , and won for the Grammy Award for Best ...
B-side to "Go to Sleep" (CD2) Radiohead 2003 [54] "Give Up the Ghost" The King of Limbs: Nigel Godrich 2011 [44] "Glass Eyes" A Moon Shaped Pool: Nigel Godrich 2016 [45] " The Gloaming" Hail to the Thief: Nigel Godrich Radiohead 2003 [35] "Go Slowly" In Rainbows Disk 2: Nigel Godrich 2007 [36] "Go to Sleep" Hail to the Thief: Nigel Godrich ...
Radiohead's recorded their eighth album, The King of Limbs (2011), using sampler software written by Greenwood. [10] [63] By 2011, Radiohead had sold more than 30 million albums. [64] That year, Greenwood scored We Need to Talk About Kevin, directed by Lynne Ramsay, [65] using instruments including a wire-strung harp. [47]
The song begins with a discordant string harmony, [77] then a strummed D ninth chord acoustic guitar played by Yorke, [78] backed by B ♭ string tunes, creating a dissonant noise that moves between the D major and F ♯ minor chords. [77] O'Brien used guitar reverbs and delay effects, creating a melody that sinks between the A and E chords. [78]
The lyrics were inspired by the stress felt by the singer, Thom Yorke, while promoting Radiohead's album OK Computer (1997). Yorke wrote "Everything in Its Right Place" on piano. Radiohead worked on it in a conventional band arrangement before transferring it to synthesiser, and described it as a breakthrough in the album recording.
While Jonny Greenwood plays most of Radiohead's lead guitar parts, O'Brien often creates ambient effects, making extensive use of effects units. [53] He said of the technique: "It's a bit like you're creating a canvas. That would be in accompaniment with Thom playing chords on the piano — you're building up a cloud of effects behind." [17]