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Scylla and Charybdis were mythical sea monsters noted by Homer; Greek mythology sited them on opposite sides of the Strait of Messina between Sicily and Calabria, on the Italian mainland. Scylla was rationalized as a rock shoal (described as a six-headed sea monster) on the Calabrian side of the strait and Charybdis was a whirlpool off the ...
The Odyssey (/ ˈ ɒ d ɪ s i /; [1] Ancient Greek: Ὀδύσσεια, romanized: Odýsseia) [2] [3] is one of two major ancient Greek epic poems attributed to Homer.It is one of the oldest works of literature still widely read by modern audiences.
In a similar vein, the word "Homer" may simply be a carryover from the Mediterranean seafarers' vocabulary adoption of the Semitic word base ’MR, which means "say" or "tell". "Homer" may simply be the Mediterranean version of "saga". Pseudo-Plutarch suggests that the name comes from a word meaning "to follow" and another meaning "blind". [17]
The gates of horn and ivory are a literary image used to distinguish true dreams (corresponding to factual occurrences) from false. The phrase originated in the Greek language, in which the word for "horn" is similar to that for "fulfill" and the word for "ivory" is similar to that for "deceive".
In the Odyssey, Homer describes these immortal cattle as handsome (ἄριστος), wide-browed (εὐρυμέτωπος), fat, and straight-horned (ὀρθόκραιρος). [4] The cattle were guarded by Helios's daughters, Phaëthusa and Lampetië , and it was known by all that any harm to any single animal was sure to bring down the wrath ...
Translators and scholars have translated the main works attributed to Homer, the Iliad and Odyssey, from the Homeric Greek into English, since the 16th and 17th centuries. Translations are ordered chronologically by date of first publication, with first lines provided to illustrate the style of the translation.
The Putto's iconography seemed to have, later, influenced the figure known as a Cherub. The Putti (plural of Putto) and the Cherubim (plural of Cherub) can be found throughout the Middle Ages and the Renaissance in Christian art. [5] (pp 2–4) This latter iteration of Eros/Cupid became a major icon and symbol of Valentine's Day. [6]
Argos is a major aspect of the "watchdog motif" found throughout the Odyssey, where watchdogs are used as symbols for something else; Argos represents the dilapidation of Odysseus's oikos. Elements of Argos's story echo, sometimes word for word, parts of the poem related to Odysseus's son Telemachus.