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The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
And shall Trelawny live? Or shall Trelawny die? Here's twenty thousand Cornish men Will know the reason why! And when we come to London Wall, A pleasant sight to view, Come forth! come forth! ye cowards all: Here's men as good as you. Trelawny he's in keep and hold; Trelawny he may die: Here's twenty thousand Cornish bold Will know the reason ...
Jonathan Andre, reviewing for 365 Days of Inspiring Media review, gave a positive remarks about the song, saying ""Behold" is a great song full of Biblical truth and lyrical richness," and further added that it "continues to remind us of how much of a powerful singer-songwriter Phil himself is, as he continues to assert himself to become a great worship artist alternative."
Users of Ultimate Guitar are able to view, request, vote and comment on tablatures in the site's forum. Guitar Pro and Power Tab files can be run through programs in order to play the tablature. Members can also submit album, multimedia and gear reviews, as well as guitar lessons and news articles. Approved works are published on the website.
Sonnet 137 is an English or Shakespearean sonnet.The English sonnet has three quatrains, followed by a final rhyming couplet.It follows the typical rhyme scheme of the form abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions.
Herbert Howells, who wrote Behold, O God our Defender for the 1953 coronation. Sir William Walton, who wrote a Coronation Te Deum for the 1953 coronation. Healey Willan, who wrote O Lord our Governour for the 1953 coronation. [5] Andrew Lloyd Webber, who wrote Make a Joyful Noise for the coronation of Charles III in 2023. [6]
The song's lyrics refer to the Christian concept of the anticipation of restoration and reward, and reference the motifs found at Revelation 22:1–2 - a crystal clear river with water of life, issuing from the throne of heaven, all presented by an angel of God.
In 1961, John Lee Hooker recorded a popular version of the song with a drum, bass and guitar band. In 1966, The Staple Singers did a recording on their album Why. In 1967, Bob Dylan and The Band recorded a version, released in 2014 on The Bootleg Series Vol. 11: The Basement Tapes Complete.