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Marbleizing (also spelt marbleising [1]) or faux marbling is the preparation and finishing of a surface to imitate the appearance of polished marble. It is typically used in buildings where the cost or weight of genuine marble would be prohibitive.
This floor lamp's marble base, gold finish, and fluted shade lend a modern look that complements any home's aesthetic, from farmhouse to midcentury. $130.00 at target.com
Faux painting became popular in classical times in the forms of faux marble, faux wood, and trompe-l'œil murals. Artists would apprentice for 10 years or more with a master faux painter before working on their own. Great recognition was awarded to artists who could actually trick viewers into believing their work was the real thing.
Thomas Kershaw (1819–1898) was a leading British pioneer of marbleising, the creation of imitation marble finishes. He was born in Standish, Lancashire. From the age of 12, he served as an apprentice in Bolton to John Platt, a painter and decorator. During his nine-year apprenticeship, he bought graining tools with money earned from painting ...
In 1876, their work – Suggestions for House Decoration in Painting, Woodwork and Furniture – spread their ideas on artistic interior design to a wide middle-class audience. [17] By 1900, the situation was described by The Illustrated Carpenter and Builder: [18]
We switched the living room from grey blue upholstery to a creamy pale buttery yellow." "The library is much more comfortable now and the faux Bois table is now the card table.
Back at the house, a marble counter top is fitted into the kitchen, while manmade counters and a shower stall are fabricated on site. Roger Cook drops by with the pre-owned tree and plants it. Norm trims out a dormer window, and we check out the progress on the tiling. In the great room, Glenn Berger shows us a hutch made from cabinet pieces.
Marble mis-nomers: Cetechovice marble (cetechovický mramor) from Cetechovice, Kroměříž District: coloured [c] Karlík marble (karlický mramor), from Barrandien, Karlík, Prague-West District: black with gold-yellow-colour veins [d] Podol marble (Podolský mramor), from Vápenný Podol, Chrudim District: white, grey-white, rosy [e]
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