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Colors: There are many roads to Yemayá, Okute, Asesú, Achabá and Mayelewo are some of them, and each one has a color combination having all blue as a common denominator. Ritual garment color: Blue. Ritual number: Seven. Ritual jewelry or necklace: Seven blue beads followed by seven crystalline beads. Ritual salutation: Omío Yemayá
Ọya (Yorùbá: Ọya, also known as Oyá or Oiá; Yàńsàn-án or Yansã; and Iansá, Iansã, or Iansan in Latin America) is an Orisha of winds, lightning, and violent storms. [ 1 ] [ 2 ] As a river deity she is also regarded as a deity of children, able to provide children to her devotees or those who come to her banks at the Niger river .
Cowrie-shell divination refers to several distinct forms of divination using cowrie shells that are part of the rituals and religious beliefs of certain religions. Though best-documented in West Africa as well as in Afro-American religions, such as Regla de Ocha, Candomblé, and Umbanda, [1] [2] [3] cowrie-shell divination has also been recorded in India, East Africa, and other regions.
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Ọrunmila (Yoruba: Ọ̀rúnmìlà, also Ọrúnla [1] or Orúla in Latin America) is the Orisha of Wisdom, knowledge, and Divination, is the creator of Ifá and Babalawo concept. He is a high priest of Ifá.
A symbol of the Yoruba religion (Isese) with labels Yoruba divination board Opon Ifá. According to Kola Abimbola, the Yorubas have evolved a robust cosmology. [2] Nigerian Professor for Traditional African religions, Jacob K. Olupona, summarizes that central for the Yoruba religion, and which all beings possess, is known as "Ase", which is "the empowered word that must come to pass," the ...
Nàná Bùkùú - orisha of the river and of the earth; Ọbà - first wife of Ṣàngó and orisha of domesticity and marriage; Ọtìn - orisha of the river Otín, she is hunter and wife of Erinlẹ̀; Olókun - orisha of the ocean; Ọ̀ṣun - orisha who presides over love, intimacy, beauty, wealth, diplomacy and of the Osun river
The head, or orí, is vested with great importance in Yoruba art and thought. When portrayed in sculpture, the size of the head is often represented as four or five times its normal size in relation to the body in order to convey that it is the site of a person's ase as well as his or her essential nature, or iwa. [3]