Search results
Results from the WOW.Com Content Network
Phase music is a form of music that uses phasing as a primary compositional process. It is an approach to musical composition that is often associated with minimal music , as it shares similar characteristics, but some commentators prefer to treat phase music as a separate category. [ 1 ]
Musical phrasing is the method by which a musician shapes a sequence of notes in a passage of music to allow expression, much like when speaking English a phrase may be written identically but may be spoken differently, and is named for the interpretation of small units of time known as phrases (half of a period).
A phaser is an electronic sound processor used to filter a signal by creating a series of peaks and troughs in the frequency spectrum. The position of the peaks and troughs of the waveform being affected is typically modulated by an internal low-frequency oscillator so that they vary over time, creating a sweeping effect.
The term Process Music (in the minimalist sense) was coined by composer Steve Reich in his 1968 manifesto entitled "Music as a Gradual Process" in which he very carefully yet briefly described the entire concept including such definitions as phasing and the use of phrases in composing or creating this music, as well as his ideas as to its ...
Music of this kind is generally referred to as process music. It is the third in a series of instrumental compositions (together with Reed Phase and Piano Phase) in which Reich explored the possibility of phasing in music for a live player with tape accompaniment or, in the case of Piano Phase, for just two players (Potter 2000, 180).
In Piano Phase, Reich subdivides the work (in 32 measures) into three sections, with each section taking the same basic pattern, played rapidly by both pianists. The music is made up, therefore, of the results of applying the phasing process to the initial twelve-note melody—as such, it is a piece of process music. The composition typically ...
In both phasing and flanging, the characteristics (phase response and time delay respectively) are generally varied in time, leading to an audible sweeping effect. To the ear, flanging and phasing sound similar, yet they are recognizable as distinct colorations. Commonly, flanging is referred to as having a "jet-plane-like" characteristic.
"The Big Hurt" is a pop song that was a hit for Toni Fisher (billed as "Miss Toni Fisher") in 1959. The song was written by Wayne Shanklin. "The Big Hurt" is notable because it featured phasing effects which at that time were rare in popular music; DJ Dick Biondi on WKBW would introduce the record as "Toni Fisher's weird one."