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Genesis' original flagship system, the 1.2, retailed for US$235,000, [3] and is basically an updated Infinity IRS system. [4] Since the departure of Nudell, Infinity speaker designs have taken a more mass market-oriented approach. The efficient SM (Studio Monitor) series incorporated a polycell tweeter and graphite-impregnated midrange/woofers.
1946 – JBL creates the original 'JBL signature' logo with an exclamation (!) in black and white. Designed by Jerome Gould [8] 1946 – Lansing leaves Altec and founded a new company, James B. Lansing Sound Inc. 1947 – JBL has a 15" speaker (38 cm), model D-130, using for the first time a 4" (100 mm) voice coil in a speaker cone; 1949 ...
This is a list of notable manufacturers of studio monitors. ... JBL: United States: 3 series, Control KRK: United States: Rokit, V-series M-Audio: United States: AV ...
UREI collaborated with Edward M. Long of E.M. Long Associates in Oakland, California to create the 813 family of time-aligned large-format studio monitor speakers, introduced in 1977. [6] The 813 and subsequent models introduced in 1979, including the 813A, 815A, and 811A, used Altec Lansing and Eminence drivers.
Some of the first powered loudspeakers were JBL monitor speakers. With the addition of the SE401 Stereo Energizer, introduced in 1964, any pair of monitor speakers could be converted to self-powered operation with the second speaker powered by the first. [8] The first studio monitor with an active crossover was the OY invented 1967 by Klein-Hummel.
The 4311 was so popular with professionals that JBL introduced a domestic version for the burgeoning home-audio market. This speaker, the JBL L-100, (or "Century") was a massive success and became the biggest-selling hi-fi speaker ever within a few years. By 1975, JBL overtook Altec as the monitor of choice for most studios.
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