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Bunraku (also known as Ningyō jōruri (人形浄瑠璃)) is a form of traditional Japanese puppet theatre, founded in Osaka in the beginning of the 17th century, which is still performed in the modern day. [1]
Bunraku scene from Date Musume Koi no Higanoko (伊達娘恋緋鹿子) depicting Yaoya Oshichi climbing the tower. Bunraku began in the 16th century. Puppets and bunraku were used in Japanese theatre as early as the Noh plays. Medieval records prove the use of puppets in Noh plays too. The puppets were 3–4 feet (0.91–1.22 m)-tall, and the ...
The National Bunraku Theatre (国立文楽劇場, Kokuritsu Bunraku Gekijō) is a complex consisting of two halls and an exhibition room, located in Chūō-ku, Osaka, Japan. The complex was opened in 1984 as the fourth national theatre of the country, to become the headquarters of bunraku .
In bunraku, puppets are coiffed like real actors. [9] Bunraku puppet theater is organized into two guilds. One, the Bunraku Kyokai, groups together the artists (shamisen players, puppeteers and narrators), while the other, the National Bunraku Theatre, groups together the support professions (costume and doll-head stewards).
Chikamatsu Monzaemon (近松 門左衛門, real name Sugimori Nobumori, 杉森 信盛, 1653 – 6 January 1725) was a Japanese dramatist of jōruri, the form of puppet theater that later came to be known as bunraku, and the live-actor drama, kabuki.
This included drawing inspiration from Japan’s distinctive Bunraku puppets, which have carved heads and hands with elaborate costumes, co-operated by a trio of puppeteers dressed in black.
A theater building, the Tonda Puppet Hall (pictured above right), containing a full stage, as well as rehearsal and meeting spaces, was built for the Troupe in 1991 by the government of Shiga Prefecture. The Tonda Troupe is currently headed by Hidehiko Abe, who traces his ancestry back seven generations to one of the founding members of the troupe.
Okuni Kabuki-zu Byōbu, a six-panel canvas from the 17th century, is the oldest known painting featuring Izumo no Okuni (pictured onstage, third panel from left).. Around 1603, Okuni began performing on the dry riverbed of the Shijōgawara (Fourth Street Dry Riverbed) of the Kamo River [5] and at Kitano Shrine. [6]