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In ancient Egypt and Mesopotamia, for instance, the multi-tiered shadoof systems allowed the movement of water to higher levels through teamwork. [8] Together with other irrigation technologies, shadoofs not only helped establish reliable methods of agriculture for growing civilizations but also influenced cultural elements. [9]
The Ancient Nubians developed the saqiya to improve irrigation during the Meroitic period. The introduction of this machine had a decisive influence on agriculture as this wheel lifted water 3 to 8 metres with much less labour force and time than the Shaduf, which was the previous irrigation device in the Kingdom.
The first known crane machine was the shaduf, a water-lifting device that was invented in ancient Mesopotamia (modern Iraq) and then appeared in ancient Egyptian technology. Construction cranes later appeared in ancient Greece , where they were powered by men or animals (such as donkeys), and used for the construction of buildings.
Likewise, ancient Egyptian architecture is not one style, but a set of styles differing over time but with some commonalities. The best known example of ancient Egyptian architecture are the Egyptian pyramids and Sphinx , while excavated temples , palaces, tombs, and fortresses have also been studied.
The lever was used in the shadoof water-lifting device, the first crane machine, which appeared in Mesopotamia circa 3000 BC, [9] and then in ancient Egyptian technology circa 2000 BC. [10] The earliest evidence of pulleys date back to Mesopotamia in the early 2nd millennium BC. [11]
Hazz al-quhuf is composed in the style of a literary commentary on a 42-line poem purported to be written by a peasant (Arabic: فلاح, fallāḥ) named Abu Shaduf. [1] In his commentary, al-Shirbini describes different customs of peasants and urban dwellers, and notes regional distinctions between the Sa'idi people of Upper Egypt, people of the Nile Delta in Lower Egypt, and the poorest ...
Sargent made several trips to Egypt, Greece and Turkey as part of a project commissioned by the Boston Public Library to explore the origin of Western religion through art. Whilst in Egypt, he created this canvas in 1890–91, depicting a group of locals drinking or collecting water from the Nile which had been raised to the bank by a shaduf. [1]
The Mastabat al-Fir'aun (Arabic: مصطبة الفرعون Romanised: Maṣṭabat al-Firʿawn), also referred to in Egyptological literature as the Mastaba el-Faraun, Mastabat el-Faraun or Mastabat Faraun, and meaning "Bench of the Pharaoh") is the grave monument of the ancient Egyptian king Shepseskaf (reign c. 2510–2503 BC), the last king of the Fourth Dynasty documented to date.