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Candy Land is a 2022 American horror thriller film written and directed by John Swab and starring Olivia Luccardi, Sam Quartin, Eden Brolin, Owen Campbell, Virginia Rand and William Baldwin. [ 1 ] Plot
Netflix is an American subscription video on-demand over-the-top streaming service. The service primarily distributes original and acquired films and television shows from various genres, and it is available internationally in multiple languages.
[2] [3] It features a wider array of genres and styles than the largely trap-based sound showcased throughout her previous album, a choice which Candy has attributed to the desire to "give a taste of each individual facet of [her] brain", ultimately describing the album as "candy-coated pop".
"Speechless" was released as the fourth single by Candyland, as a solo act on 13 October 2015, exclusively through Spotify. The song was later released for all platforms on 30 October. [citation needed] The song's cover art was originally designed by Indonesian illustrator Yuschav Arly. [citation needed]
Candy Land, or Candyland, is a racing board game currently published by Hasbro. Candy Land or Candyland may also refer to: Candyland (Theatres des Vampires album), 2016; Candyland (James McMurtry album), 1992; Candyland (Brooke Candy album), 2024; Candyland (group), an American musical duo "Candyland" (song), a song by Gwen Stefani
Playing time: 30' Chance: Complete: Age range: 3+ Candy Land is a simple racing board game created by Eleanor Abbott and published by Milton Bradley in 1949. The game ...
This is a template to generate links to Netflix. Template parameters [Edit template data] Parameter Description Type Status Title number id 1 Number of the Netflix title, taken from the numbers at the end of its Netflix URL. Default Wikidata property P1874 Number optional Title name title 2 Name of the production, which may include the year made (in parentheses). Default {{PAGENAMEBASE ...
DSD advocates and equipment manufacturers continue to assert an improvement in sound quality above PCM 24-bit 176.4 kHz. [43] A 2003 study found that despite both formats' extended frequency responses, people could not distinguish audio with information above 21 kHz from audio without such high-frequency content. [44]