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The fabric had turned into peat, but was still identifiable. Many bodies at the site had been wrapped in fabric before burial. Eighty-seven pieces of fabric were found associated with 37 burials. Researchers have identified seven different weaves in the fabric. One kind of fabric had 26 strands per inch (10 strands per centimeter).
The woodlands of Bedfordshire cover 6.2% of the county. [2] Some two thirds of this (4,990 ha or 12,300 acres) is broad-leaved woodland, principally oak and ash. [3] A Woodland Trust estimate of all ancient woodland in Bedfordshire (dating back to at least the year 1600), including woods of 0.1 ha (0.25 acres) and upward suggests an area of 1,468 ha (3,630 acres). [4]
The irreplaceable nature of ancient woodlands is elucidated in paragraph 118 of the NPPF, which states: ‘Planning permission should be refused for development resulting in the loss or deterioration of irreplaceable habitats, including ancient woodland and the loss of aged or veteran trees found outside ancient woodland, unless the need for ...
Scraps of wool fabric from the Bronze Age and Iron Age have been found in the salt mines of Hallstatt Austria. The fabric scraps were residuals of rags used in the mines. The rags, in turn were scraps from worn out garments. The Bronze age fabrics are relatively coarse in part due to the coarse wool available from the sheep at the time.
c. 1000 BC – Cherchen Man was laid to rest with a twill tunic and the earliest known sample of tartan fabric. [7] c. 200 AD – Earliest woodblock printing from China. Flowers in three colors on silk. [8] 247 AD – Dura-Europos, a Roman outpost, is destroyed. Excavations of the city discovered early examples of naalebinding fabric.
Storm Pattern – The Storm pattern style includes a central rectangle or square that represents the centering of place in the universe or at home, and incorporates a broader color palette. This is surrounded by four additional rectangles that represent the four sacred mountains of the Navajo along with zig-zag lightning forms.
Design for a hand woodblock printed textile, showing the complexity of the blocks used to make repeating patterns in the later 19th century. Tulip and Willow by William Morris, 1873. Woodblock printing on textiles is the process of printing patterns on fabrics, typically linen, cotton, or silk, by means of carved wooden blocks.
Flecktarn (German pronunciation: [ˈflɛktaʁn]; "mottled camouflage"; also known as Flecktarnmuster or Fleckentarn) is a family of three-, four-, five- or six-color disruptive camouflage patterns, the most common being the five-color pattern, consisting of dark green, grey-green, red brown, and black over a light green or tan base depending on the manufacturer.
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