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The area was known as the "Jewish Rialto" at the time. After four seasons it became the Yiddish Folks Theatre, [56] then a movie theatre, the home of the Phoenix Theatre, the Entermedia Theatre, and now a movie theater again, the Village East Cinema. [57] It was designated a New York City landmark in 1993. [56]
The theater was built by Louis Jaffe, a developer and prominent Jewish community leader, for Maurice Schwartz's Yiddish Art Theatre, which presented works in Yiddish. The theater was designed in the Moorish Revival style by Harrison Wiseman, while William Pogany consulted on the interior design.
The Dora Wasserman Yiddish Theatre, a branch of the Segal Centre for Performing Arts, was founded in Montreal in 1958 by Dora Wasserman (June 1919 – December 2003), a Soviet-Ukrainian-Jewish-Canadian actress, playwright, and theatre director. The first play was The Innkeeper. [1] Wasserman [2] directed over 70 plays over four decades.
A Yiddish-language poster for East Side Sadie, directed by Sidney M. Goldin, 1929.. Yiddish cinema (Yiddish: יידישע קינא, יידיש-שפראכיגע קינא, romanized: Idish-Shprakhige Kino, Idishe Kino) refers to the Yiddish language film industry which produced some 130 full-length motion pictures and 30 shorts during its heyday from 1911 and 1940.
In 1996, after a stroke, she officially handed direction of the Montreal Yiddish Theater to her daughter Bryna. Dora Wasserman died on December 15, 2003, in Montreal . Although Wasserman did not live to see it, her daughters Ella (who lives in Israel) and Bryna (who lives in Montreal) helped celebrate the 50th anniversary [ 6 ] of their mother ...
In 2007 she was featured in the film Making Trouble, a tribute to female Jewish comedians, produced by the Jewish Women's Archive. [6] In 2011, Hoffman appeared as a cameo in The Sitter as Mrs. Sapperstein. In 2012, she has had a recurring role in The New Normal. She appeared in a cameo role in the Oscar-winning movie Birdman in 2014.
Picon appeared in many films, beginning with silent movies. Her early films were made in Europe; among the first, and earliest to survive, was the Yiddish language East and West, a film adaptation of the 1921 play Mezrach und Maarev produced in Vienna in 1923. [7] [4] The film depicts a clash
Her first "legitimate role" in Yiddish theatre was as Hanele in Zolotarevsky's Yeshiva Bokher (Schoolboy).She toured and ended up in New York, playing Yiddish vaudeville with Sam Klinetsky at the Grand Theater, then doing four years of English-language comedy with Leon Errol and then six seasons in Philadelphia with Anshel Schorr, who improved her Yiddish and gave her the opportunity to play ...