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Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]
The final 16 mm camera was the Kodak Reflex Special, released in 1961, dropping the Ciné-Kodak brand altogether; Kodak ceased production of 16 mm cameras in 1968, but continued to produce 8 mm and Super 8 film cameras under the Ektasound and Instamatic brands.
Filmlight - Northlight 1 (up to 6K, 16mm to VistaVision), Northlight 2 (up to 8K, 16mm to VistaVision) Imagica scanner, single frame intermittent scanner. Kodak - Cineon, the first system designed for DI work, included a scanner, tapes drives, workstations and a film recorder. [8] [9] [10] Lasergraphics - Director (up to 13.5K, 8mm to 65mm)
The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
According to historian Doug Kerr, the S-mount was developed and released in 1933 to simplify the profusion of lens mounts for the line of Ciné-Kodak 16 and 8 mm movie cameras; at the time, many of the lens mounts were unique to the particular camera model, and the line of Kodak ciné lenses for 16 mm cameras spanned a range of focal lengths from 15 to 152 mm.
A Kodak Easyshare Z1015 IS digital camera. The Kodak DCS series of digital single-lens reflex cameras and digital camera backs were released by Kodak in the 1990s and 2000s, and discontinued in 2005. [213] They were based on existing 35mm film SLRs from Nikon and Canon. [214] In 2003, the Kodak EasyShare series was launched.
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