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2. Possession (1981 film) - Wikipedia

   en.wikipedia.org/wiki/Possession_(1981_film)

   Possession is a 1981 psychological horror drama film directed by Andrzej Żuławski and written by Żuławski and Frederic Tuten. The plot obliquely follows the relationship between an international spy ( Sam Neill ) and his wife ( Isabelle Adjani ), who begins exhibiting increasingly disturbing behavior after asking for a divorce.

3. JustWatch - Wikipedia

   en.wikipedia.org/wiki/JustWatch

   JustWatch functions as a search engine by aggregating information about the online availability of films and TV series from video-on-demand streaming services. It aggregates information from more than 100 video content libraries, as well providing information about video resolution quality, pricing, and purchase or rental options. [3]

4. Possessor (film) - Wikipedia

   en.wikipedia.org/wiki/Possessor_(film)

   Possessor is a 2020 science fiction psychological horror film [5] written and directed by Brandon Cronenberg.It stars Andrea Riseborough and Christopher Abbott, with Rossif Sutherland, Tuppence Middleton, Sean Bean, and Jennifer Jason Leigh in supporting roles.

5. Death Bed: The Bed That Eats - Wikipedia

   en.wikipedia.org/wiki/Death_Bed:_The_Bed_That_Eats

   Death Bed: The Bed That Eats is a 1977 American surrealist folk horror film [3] written, produced, and directed by George Barry in his only feature film, and starring Demene Hall, William Russ, Julie Ritter, and Dave Marsh.

6. Robert Pattinson's “Possession” remake director teases ...

   www.aol.com/robert-pattinsons-possession-remake...

   "Smile 2" helmer Parker Finn tells EW what he has planned for Pattinson's upcoming turn in the film based on Sam Neill's 1981 cult classic. Robert Pattinson's Possession remake director has set ...

7. The Blackcoat's Daughter - Wikipedia

   en.wikipedia.org/wiki/The_Blackcoat's_Daughter

   Perkins noted that he intended to "tell a sad story" about loss, and used the horror genre and the possession subgenre, as a "Trojan Horse". [4] Perkins noted that he could have made the film without this but felt its omission would have resulted in the audience's engagement with the story being different. [ 4 ]