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The song is an essential part of the Eid festival for Bengali Muslims. This song was composed by Kazi Nazrul Islam, the national poet of Bangladesh. On 25 May 1931, this song was recorded for the first time. Kazi Nazrul Islam himself was also the composer of the song. There is a story behind the composition of this song.
"Notuner Gan" (Bengali: নতুনের গান [ˈnotuneɾ gan]; "The Youth Song"), more popularly known by its incipit as "Chol Chol Chol", [a] is the national march (Bengali: রণ-সঙ্গীত) of Bangladesh, [1] [2] whose lyrics and tune were written by national poet Kazi Nazrul Islam in 1928.
Hason Raja: Devotional songs written by a music composer by the name of Hason Raja (from Sylhet, northeastern side of Bangladesh near Assam) that was recently repopularised as dance music. Jari: songs involving musical battle between two groups; Jatra Pala: songs associated exclusively with plays (performed on-stage). Usually involves colourful ...
Jarigan (Bengali: জারি গান), (Persian Jari/zari for lamentation and Bengali gan for song) [1] or (song of sorrow) is one of the few indigenous music art performances of Bangladesh, West Bengal, Barak Valley and Brahmaputra Valley.
Nazrul Islam's recording of Islamic songs was a commercial success and created interest in gramophone companies about publishing his works. A significant impact of Nazrul Islam's work in Bengal was that it made Bengali Muslims more comfortable with the Bengali arts, which used to be dominated by Bengali Hindus. [ 63 ]
The cultures of Bangladesh composite over the centuries have assimilated influences of Islam, Hinduism, Buddhism, and Christianity. It is manifested in various forms, including music, dance, drama; art craft ; folklore folktale; languages literature; philosophy religion; festivals celebrations; as well as in a distinct cuisine culinary tradition.
Mujbhandari Songs are Islamic devotional songs associated with the Mujbhandari Sufi Order, a renowned Sufi tradition originating in Bengal, particularly linked to the shrine of Hazrat Shah Sufi Syed Ahmad Ullah Mujbhandari of Chittagong, Bangladesh. These songs praise Allah, Muhammad, and Sufi saints while promoting spiritual love, peace, and ...
While Islam was still a part of faith and culture, it was no longer the only factor that formed national identity. [30] Bangladesh was established as a constitutionally secular state [31] and the Bangladeshi constitution enshrined secular, socialist and democratic principles. [32]