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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Audio example of slap bass with drums. Bassist Larry Graham, widely regarded as the progenitor of modern slap bass. Demonstration of the slap technique on a 6-string bass. Slapping and popping are ways to produce percussive sounds on a stringed instrument. They are primarily used on the double bass or bass guitar.
For very low bass parts, the Γ clef is found on the middle, fourth, or fifth lines of the staff (e.g., in Pierre de La Rue’s Requiem and in a mid-16th-century dance book published by the Hessen brothers); for very high parts, the high-D clef (d), and the even higher ff clef (e.g., in the Mulliner Book) were used to represent the notes ...
Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to as reading music.
In music, the term slap tonguing refers to a musician playing a single-reed instrument such as a clarinet or a saxophone employing a technique to produce a popping sound along with the note. The technique
Gordon music-learning theory is a model for music education based on Edwin Gordon's research on musical aptitude and achievement in the greater field of music learning theory. [1] [2] The theory is an explanation of music learning, based on audiation (see below) and students' individual musical differences. The theory takes into account the ...
For example, when a semitone relationship is indicated between F and G, either by placing a mi-sign (♮) on F or a fa-sign (♭) on G, only the context can determine whether this means, in modern terms, F ♯-G or F-G ♭, or even F ♭ –G. The use of either the mi-sign on F or the fa-sign on G means only that "some kind of F goes to some ...
In music theory, contrapuntal motion is the general movement of two or more melodic lines with respect to each other. [1] In traditional four-part harmony, it is important that lines maintain their independence, an effect which can be achieved by the judicious use of the four types of contrapuntal motion: parallel motion, similar motion, contrary motion, and oblique motion.