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Pointillism (/ ˈ p w æ̃ t ɪ l ɪ z əm /, also US: / ˈ p w ɑː n-ˌ ˈ p ɔɪ n-/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.
Portrait of Seurat by Maximilien Luce. This is a list of notable paintings by Georges Seurat (2 December 1859 - 29 March 1891). He is a Neo-Impressionist painter and together with Paul Signac noted for being the inventor of pointillism. [1]
Pointillism Alfred William (Willy) Finch (1854 –1930) was a ceramist and painter in the pointillist and Neo-Impressionist style. Born in Brussels to British parents, he spent most of his creative life in Finland.
He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical ...
Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.
Paul-Victor-Jules Signac was born in Paris on 11 November 1863. [2] His parents wanted him to study architecture but, as he said, his preference was to draw the Seine.He was particularly affected by an 1880 exhibition of Claude Monet's work.
Pointillism – Georges Seurat, Paul Signac, Maximilien Luce, Henri-Edmond Cross; Divisionism – Gaetano Previati, Giovanni Segantini, Pellizza da Volpedo; Symbolism – Gustave Moreau, Odilon Redon, Edvard Munch, James Whistler, James Ensor; Les Nabis – Pierre Bonnard, Édouard Vuillard, Félix Vallotton, Maurice Denis, Paul Sérusier
Around 1885, probably influenced by his friendships with Seurat and others, he began experimenting with Divisionist techniques, [5] and he embraced Pointillism – one of the first artists to do so. [3] By the next year, his works were fully Neo-impressionist. With Signac, he used pen and ink to create pointillist drawings. [5]
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