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Much traditional Japanese poetry was written as the result of a process of two or more poets contributing verses to a larger piece, such as in the case of the renga form. Typically, the "honored guest" composing a few beginning lines, often in the form of the hokku (which, as a stand-alone piece, eventually evolved into the haiku). This initial ...
Haiku (俳句, listen ⓘ) is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference.
The Traditional Seasons of Japanese Poetry by William J. Higginson; Japanese Haiku – a Topical Dictionary at the Univ. of Virginia Japanese Text Initiative a work-in-progress based on the Nyu-mon Saijiki by the Museum of Haiku Literature in Tokyo, most translations by William J. Higginson and Lewis Cook
Waka (和歌, "Japanese poem") is a type of poetry in classical Japanese literature. Although waka in modern Japanese is written as 和歌, in the past it was also written as 倭歌 (see Wa, an old name for Japan), and a variant name is yamato-uta (大和歌).
Man'yōshū: the oldest anthology in Japanese, c.785, 20 manuscript scrolls, 4,516 poems (when the tanka envoys to the various chōka are numbered as separate poems), Ōtomo no Yakamochi was probably the last to edit the Man'yōshū.
A kigo (季語, 'season word') is a word or phrase associated with a particular season, used in traditional forms of Japanese poetry. Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza. They are valuable in providing economy of expression.
Tanka (短歌, "short poem") is a genre of classical Japanese poetry and one of the major genres of Japanese literature. [1] [2] [3] Etymology.
Utamakura, Allusion, and Intertextuality in Traditional Japanese Poetry. Yale University Press, 1997. ISBN 0-300-06808-5; Raud, Rein. "The Lover's Subject: Its Construction and Relativization in the Waka Poetry of the Heian Period". In Proceedings of the Midwest Association for Japanese Literary Studies, vol. 5, summer 1999, pp. 65–79.