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Real photo postcard. A typical 1940s–early 1950s black and white real photo postcard. A real photo postcard ( RPPC) is a continuous-tone photographic image printed on postcard stock. The term recognizes a distinction between the real photo process and the lithographic or offset printing processes employed in the manufacture of most postcard ...
Eadweard Muybridge ( / ˌɛdwərd ˈmaɪbrɪdʒ /; 9 April 1830 – 8 May 1904, born Edward James Muggeridge) was an English photographer known for his pioneering work in photographic studies of motion, and early work in motion-picture projection. He adopted the first name "Eadweard" as the original Anglo-Saxon form of "Edward", and the surname ...
As snapshot and personal photography became commonplace among the public, the popularity of the cabinet card and cabinet card specific albums waned. Unmounted paper prints and the scrapbook albums started replacing them. A variety of other large card styles of various names and dimensions came about for professional portraits in the 1880s and ...
The carte de visite was usually an albumen print from a collodion negative on thin paper glued onto a thicker paper card. The size of a carte de visite is 54 mm (2.125 in) × 89 mm (3.5 in) (approximately the size of a business card ), mounted on a card sized 64 mm (2.5 in) × 100 mm (4 in). The reverse was generally printed with the logo of ...
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Noted Life photographer and picture editor John Loengard made a gripping photo of Leibovitz at the climax of her danger (Loengard was photographing Leibovitz for The New York Times that day). [22] In 1994, Leibovitz photographed Carl Lewis for Pirelli's [23] famous Power Is Nothing Without Control ad campaign. The most famous advertisement ...
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