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Rouge/ crocus / colcothar – ferric oxide, formed by burning green vitriol in air. Stibnite – antimony or antimony trisulfide, ore of antimony. Turpeth mineral – hydrolysed form of mercury (II) sulfate. Verdigris – Carbonate of Copper or (more recently) copper (II) acetate. The carbonate is formed by weathering copper.
Alchemical symbols before Lavoisier. Alchemical symbols were used to denote chemical elements and compounds, as well as alchemical apparatus and processes, until the 18th century. Although notation was partly standardized, style and symbol varied between alchemists. Lüdy-Tenger [ 1] published an inventory of 3,695 symbols and variants, and ...
[1] [2] For many centuries, it was the most sought-after goal in alchemy. The philosopher's stone was the central symbol of the mystical terminology of alchemy, symbolizing perfection at its finest, divine illumination, and heavenly bliss. Efforts to discover the philosopher's stone were known as the Magnum Opus ("Great Work"). [3]
Natron is a naturally occurring mixture of sodium carbonate decahydrate ( Na 2 CO 3 ·10H 2 O, a kind of soda ash) and around 17% sodium bicarbonate (also called baking soda, NaHCO 3) along with small quantities of sodium chloride and sodium sulfate. Natron is white to colourless when pure, varying to gray or yellow with impurities.
Azoth is a universal remedy or potent solvent sought after in the realm of alchemy, akin to alkahest —a distinct alchemical substance. The quest for Azoth was the crux of numerous alchemical endeavors, symbolized by the Caduceus. Initially coined to denote an esoteric formula pursued by alchemists, akin to the Philosopher's Stone, the term ...
The cubes represent prima materia. In alchemy and philosophy, prima materia, materia prima or first matter (for a philosophical exposition refer to: Prime Matter ), is the ubiquitous starting material required for the alchemical magnum opus and the creation of the philosopher's stone. It is the primitive formless base of all matter similar to ...
Alkahest. Image of Alchimia, the embodiment of alchemy. Woodcut published by Leonhard Thurneysser in 1574. Thurneysser was a student of Paracelsus. In Renaissance alchemy, alkahest was the theorized "universal solvent ". [ nb 1] It was supposed to be capable of dissolving any composite substance, including gold (then not considered an element ...
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