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The King Wolf, pyrography on olive wood by Roberto Frangioni Piroritrattista Framàr. Pyrography or pyrogravure is the free handed art of decorating wood or other materials with burn marks resulting from the controlled application of a heated object such as a poker. It is also known as pokerwork or wood burning. [1]
Decoupage or découpage ( / ˌdeɪkuːˈpɑːʒ /; [ 1] French: [dekupaʒ]) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from ...
Process. By applying a coat of electrolytic solution to the surface of the wood, the resistance of the surface drops considerably. Two electrodes are then placed on the wood and a high voltage is passed across them. Current from the electrodes will cause the surface of the wood to heat up until the electrolyte boils and the wooden surface burns.
The textile arts of the Indigenous peoples of the Americas are decorative, utilitarian, ceremonial, or conceptual artworks made from plant, animal, or synthetic fibers by Indigenous peoples of the Americas . Textile arts and fiber arts include fabric that is flexible woven material, as well as felt, bark cloth, knitting, embroidery, [ 1 ...
Florentine crafts made in Florence, Italy, are a centuries-old tradition maintained by several artisan guilds. Florentine style, especially in items produced in from the mid-19th century onward, typically reflect a contemporary interpretation of Renaissance art and furnishings. Popular items made in Florentine style include gilded picture ...
In other words, this new method of mass dissemination made them go viral. Stephanie Porras, art historian and author of “The First Viral Images: Maerten de Vos, Antwerp Print, and the Early ...
In Andean societies, textiles had a great importance. They were developed to be used as clothing, as tool and shelter for the home, as well as a status symbol. In the Araucanía region in the sixteenth and seventeenth centuries, as reported by various chroniclers of Chile, the Mapuche worked to have Hispanic clothing and fabrics included as a trophy of war in treaties with the Spanish.
Pilasters took the place of pinnacles, and vases or dolphins assisted the acanthus leaf to oust the older forms of design. House fronts of wood gave ample scope to the carver. That of Sir Paul Pinder (1600), formerly in Bishopsgate, but now preserved in the Victoria and Albert Museum, is a good example of decorative treatment without overloading.