Search results
Results from the WOW.Com Content Network
9 languages. ... Pages in category "Hindu mythological films" The following 200 pages are in this category, out of approximately 225 total.
another Indian film in Hindi by Sultan. It follows the story of Hercules' son and his fight with a dragon. [3] Tarzan Aur Hercules: 1964 Indian Hindi-language action film by Mahmood, featuring a character based on Hercules who helps Tarzan win a princess. [4] [2] Sheba and Hercules: 1967 Indian Hindi-language action film by B. S. Chowdhary.
22 languages. العربية ... Pages in category "Films based on classical mythology" The following 90 pages are in this category, out of 90 total.
Bureaucratium is an element with a negative half-life, becoming more massive and sluggish as time goes by. Byzanium Raise the Titanic! [29] Fictional element in the book Raise the Titanic! and its film adaptation, which is a main focus of the story arc. It is a powerful radioactive material sought by both the Americans and Russians for use as ...
Kapala skull cup. Kalasha - the kalasha is considered a symbol of abundance and "source of life" in the Vedas. It is referred to as "overflowing full vase" in the Vedas. The kalasha is believed to contain amrita, the elixir of life, and thus is viewed as a symbol of abundance, wisdom, and immortality.
Ramayana: The Epic is a 2010 Indian Hindi-language computer-animated mythological action film from Maya Digital Media. [ 1 ] [ 2 ] Directed by Chetan Desai [ 1 ] [ 2 ] and produced by Ketan Mehta , [ 4 ] it was released by Warner Bros. Pictures on 15 October 2010.
Reachisey is a mythical animal, with the head of a lion, a short elephantine trunk, and the scaly body of a dragon. It occurs at Angkor Wat in the epic bas reliefs of the outer gallery. Rompo is a mythological beast with the head of a hare, the ears of a human, a mane, a slender body, the front arms of a badger, and the rear legs of a bear. It ...
108 films were produced in 1927. [5] The "Report of the Indian Cinematograph Committee 1927-28", formed in 1927 to study cinema in India, categorised the films in different genres, mainly as "religious, mythological, historical and social dramas".