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The mod revival is a subculture that started in the United Kingdom in the late 1970s and later spread to other countries (to a lesser degree).. The Mod Revival started with disillusionment with the punk scene when commercialism set in. [citation needed] It was featured in an article in Sounds music paper in 1976 and had a big following in Reading/London during that time.
The discography of the British band the Jam consists of 6 studio albums, 5 live albums, 8 compilation albums, 5 box sets, 6 videos, 3 extended plays, 18 singles, and 3 B-sides. The band, who formed in 1972, didn't debut until five years later in 1977, when they released their debut studio album In the City , which entered the UK Albums Chart at ...
Around this time, the Jam slimmed their team of two producers to one, Vic Coppersmith-Heaven, who helped develop the group's sound. [29] In 1978, the Jam released their third LP, All Mod Cons, which included three previously released tracks among the 12 in total: "David Watts", "'A' Bomb In Wardour Street", and "Down in the Tube Station at ...
The British mod revival was followed by a revival in North America in the early 1980s, particularly in Southern California, led by bands such as the Untouchables. [ 7 ] [ 8 ] The mod scene in Los Angeles and Orange County was partly influenced by the 2 Tone ska revival in England, and was unique in its racial diversity, with black, white ...
The Sound of the Jam is a compilation album and the fifth greatest hits album by the group The Jam, released to mark their twenty-fifth anniversary. It contains a remixed version of 'That's Entertainment', featuring only the guitars and vocals of the demo version; and without the bass, drums and percussion.
Printable version; In other projects Wikidata item; Appearance. ... Mod revival groups (1 C, 7 P) M. Mod revival musicians (13 P) Pages in category "Mod revival"
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But there is so much more to Jolt than an adrenalin rush of Jam-isms. Noisy, exuberant, eminently danceable and absolutely exhilarating, Jolt is the sound of mod at its most potently creative, a record that could have been made in 1965, but was certainly remixed in 1978, to take into account all that had happened since then.