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Some of the Moody Blues compilation and live albums list the song as "Tuesday Afternoon (Forever Afternoon)" to reflect both titles. "Tuesday Afternoon" was released as a single in 1968 and was the second single from Days of Future Passed (the first being "Nights in White Satin"). It was backed with another Days track, "Another Morning".
Days of Future Passed is the second studio album by English progressive rock band the Moody Blues, released on 17 November 1967, by Deram Records. [8] It has been cited by Rock and Roll Hall of Fame and others as one of the earliest albums of the progressive rock genre and one of rock music's first concept albums.
"Don't You Ever Get Tired (Of Hurting Me)" ... "Don't You Ever Get Tired (Of Hurting Me)" is a country song written by Hank Cochran that was a hit single for Ray ...
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Brian Wilson declared of the song, "'Forever' has to be the most harmonically beautiful thing I've ever heard. It's a rock and roll prayer." [2] AllMusic reviewer Matthew Greenwalk wrote, Easily one of the standouts on the Sunflower album, "Forever" is sort of a capper on Dennis Wilson's unexpected burst of creativity during the 1968-1969 ...
He said, ‘I’m sick of it. I’m tired of it. I don’t believe in it. If they want to get you, they’re going to get you. Look what happened to Kennedy with all those people around him.’ I ...
Along with “Get At ’Em,” he worked on new basslines, lyrical scraps, and musical ideas he had brewing in Big Sur, and that led back to the abandoned song “San Francisco.”
In the key of C major, this song consists musically of the chord structure I-vi-iii-V, repeated throughout. This translates in the given key to C-Am-Em-G. All the Tired Horses was used in the 2001 film Blow. All the Tired Horses covered by Lisa O’Neill was used in the last scene of the 2022 finale of the TV series Peaky Blinders.