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In the German version, it does not rhyme. [6] The first stanza is written in the first person, declaring that the singer supports the view. The second stanza is focused on the way of Jesus through death to life, and opens the view to a group, beginning saying "das sagt uns dein Wort" (Your word tells us that).
" Jesu, meine Freude" ([ˈjeːzu ˈmaɪnə ˈfʁɔʏdə]; Jesus, my joy) is a hymn in German, written by Johann Franck in 1650, [1] with a melody, Zahn No. 8032, by Johann Crüger. The song first appeared in Crüger's hymnal Praxis pietatis melica in 1653.
"Gelobt seist du, Herr Jesu Christ" (Praised be you, Lord Jesus Christ) is a Catholic hymn, addressing Jesus as the King. The five stanzas, composed in 1886, was written by the German Jesuit and hymnologist Guido Maria Dreves, and the melody was composed in 1928, three years after the introduction of the Feast of Christ the King, by the Austrian church musician Josef Venantius von Wöss.
" Gelobet seist du, Jesu Christ" ("Praise be to You, Jesus Christ") is a Lutheran hymn, written by Martin Luther in 1524. It was first published in 1524 in the Eyn geystlich Gesangk Buchleyn . For centuries the chorale has been the prominent hymn (Hauptlied) for Christmas Day in German speaking Lutheranism , but has also been used in different ...
A version combining the first stanza with a second stanza by an anonymous author, that praises Jesus as a reason for hope, became part of the German Catholic hymnal Gotteslob in 2013, as GL 400 in the section Leben in Gott – Lob, Dank und Anbetung (Life in God – Praise, thanks and adoration). [6]
" Nimm, o Gott, die Gaben, die wir bringen" (Accept, O God, the gifts we bring) is the beginning of a Christian offertory hymn with German text by Raymund Weber, and a melody that Andrew Lloyd Webber composed for his musical Jesus Christ Superstar. The song, of the genre Neues Geistliches Lied (NGL), is part of German hymnals, including ...
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A list of all songs with lyrics about Jesus Christ, where he is specifically the central subject.This category contains both songs referring to specific moments of Jesus's life (birth, preaching, crucifixion) and songs of blessing, rejoicing or mourning where he is portrayed as a religious deity or examined as a cultural figure.