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Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
In his article, Georges Meurant, collector, author of studies on African art and former professor at the Royal Academy of Fine Arts in Brussels, Belgium, discusses the mostly small-format sculptures made of wood or clay of the ethnic groups south of the Kenyan border in the north-eastern part of the country. [28]
Ndop frequently portray the ruler carrying a weapon in his left hand, an ikul or peace knife, made in the style reserved for the Bushoong, the dominant sub-group of the Kuba. The wooden portraits were kept in the king's quarters with other sculptures referred to as 'royal charms', upon which the king's magical powers rested.
The metal pieces were made using lost-wax casting and are considered among the best African sculptures made using this technique. [21] Benin began to trade ivory, pepper, and slaves [ 22 ] with the Portuguese in the late 15th century and incorporated the use of manillas (brass ingots in the form of bracelets, bought from the Portuguese) as a ...
One of the principal obstacles to understanding the art of Burkina Faso, including that of the Bwa, has been a confusion between the styles of the Bwa, "gurunsi", and Mossi, and a confusion of the Bwa people with their neighbors to the west the Bobo people. This confusion was the result of the use by French colonial officers of Jula ...
Olowe of Ise (Yoruba: Ọlọ́wẹ̀ of Ìsẹ̀; c. 1873 – c. 1938) [1] [2] is considered by Western art historians and collectors to be one of the most important 20th century artists of the Yoruba people of what is today Nigeria. [3] [4] [5] He was a wood sculptor and master innovator in the African style of design known as oju-ona.
The realism and sophisticated craftsmanship of the objects challenged the dismissive and patronising Western conceptions of African art. The naturalistic features of the Ife heads are unique [3] [1] and the stylistic similarities of these works "suggest that they were made by an individual artist or in a single workshop." [3]
Central Zimbabwe contains the "Great Dyke" – a source of serpentine rocks of many types including a hard variety locally called springstone.An early precolonial culture of Shona peoples settled the high plateau around 900 AD and “Great Zimbabwe”, which dates from about 1250–1450 AD, was a stone-walled town showing evidence in its archaeology of skilled stone working.