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The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
The cadogan style of men's hair developed and became popular during this period, with horizontal rolls of hair over the ears. Later, wigs or the natural hair were worn long, brushed back from the forehead and clubbed or tied back at the nape of the neck with a black ribbon. From about 1720, a bag wig gathered the back hair in a black silk bag.
The elegant gentleman wears a coat, waistcoat, and breeches. The lady's bodice is long-waisted and her over skirt is draped and pinned up behind, Dutch, 1678 . Fashion in the period 1650–1700 in Western clothing is characterized by rapid change. The style of this era is known as Baroque.
Over the course of the century, men's tendency to wear wigs and more complex styles spread to women. The earliest high rolls were observed in the late 1760s and became taller over time. They began in France and later appeared in London and North America. [1] By the end of the 1700s, the fashion for more natural-looking hair on women returned.
Over time, bedgowns became the staple upper garment of British and American female working-class street wear. Women would also often wear a neck handkerchief or a more formal lace modesty piece, particularly on lower cut dresses, often for modesty reasons. [12] In surviving artwork, there are few women depicted wearing bedgowns without a ...
1790s: Women: "age of undress"; [7] dressing like statues coming to life; [16] Greek fashion started to inspire the current fashion, and fillet-Greek classical hairstyles and high waisted clothing with a more triangular hem started to find its way; pastel fabrics; natural makeup; bare arms; blonde wigs; accessorized with: hats, Draped turban, gloves, jewelry, small handbags – reticules ...
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Portrait of Henrietta Maria in the style of Van Dyck shows her in a flame-colored satin gown without a collar or kerchief. She wears a fur piece draped over her shoulder, 1640. Agatha Bas wears a pointed stomacher under a front-lacing, high-waisted black gown. Her matching linen kerchief, collar and cuffs are trimmed with lace, and she wears a ...
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