Search results
Results from the WOW.Com Content Network
The bulk of the book is devoted to close reading of poems by John Donne, Shakespeare, Milton, Alexander Pope, William Wordsworth, Keats, Lord Tennyson, Yeats, Thomas Gray, and T. S. Eliot. In The Well Wrought Urn, theory illuminates practice and vice versa. The poems are meant to be "the concrete examples on which generalizations are to be based".
Below is a list of literary magazines and journals: periodicals devoted to book reviews, creative nonfiction, essays, poems, short fiction, and similar literary endeavors. [1] [2] Because the majority are from the United States, the country of origin is only listed for those outside the U.S.
The New Criterion is a New York–based monthly literary magazine and journal of artistic and cultural criticism, edited by Roger Kimball (editor and publisher) and James Panero (executive editor). It has sections for criticism of poetry, theater, art, music, the media, and books.
Cleanth Brooks identifies the heresy of paraphrase in the eponymous chapter from The Well Wrought Urn, a work of the New Criticism. [1] [2] [3] Brooks argues that meaning in poetry is irreducible, because "a true poem is...an experience rather than any mere statement about experience or any mere abstraction from experience."
The characteristics of such poems include (but are not limited to) a strong narrative, regular poetic meter, simple content and simple form. At the same time, many poems that read well aloud have none of the characteristics exhibited by T. S. Eliot's "Journey of the Magi", for example. Poems that read aloud well include: "The Frog", by Jean Dao
To be a 'school' a group of poets must share a common style or a common ethos. A commonality of form is not in itself sufficient to define a school; for example, Edward Lear, George du Maurier and Ogden Nash do not form a school simply because they all wrote limericks. There are many different 'schools' of poetry.
In some of his work, Eliot had espoused the idea of criticism as necessarily impersonal. The evaluation of Eliot's criticism occurred relatively early; for example, an appraisal of his work focusing exclusively on Eliot the critic (as opposed to Eliot the poet) appeared in 1941 in a book by John Crowe Ransom. Ransom, participating in the New ...
Hamlet and His Problems, in The Sacred Wood: Essays on Poetry and Criticism. Otto Maria Carpeaux: "The greatest poet of modern times and—except for the limitations of our critical judgement—of all time." [8]