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King Solomon's Mines is an 1885 popular novel [1] by the English Victorian adventure writer and fabulist Sir H. Rider Haggard.It tells of an expedition through an unexplored region of Africa by a group of adventurers led by Allan Quatermain, searching for the missing brother of one of the party.
The 1985 film King Solomon's Mines was a tongue-in-cheek comedy, with a 1987 sequel in the same vein, Allan Quatermain and the Lost City of Gold. Around the same time an Australian animated TV film came out as King Solomon's Mines. In 2004 an American TV mini-series, King Solomon's Mines starred Patrick Swayze.
Allan Quatermain is the protagonist of H. Rider Haggard's 1885 novel King Solomon's Mines, its one sequel Allan Quatermain (1887), twelve prequel novels and four prequel short stories, totalling eighteen works. [1]
H. Rider Haggard, KBE (/ ˈ h æ ɡ ər d /; 1856–1925) was a British writer, largely of adventure fiction, but also of non-fiction.The eighth child of a Norfolk barrister and squire, [1] through family connections he gained employment with Sir Henry Bulwer during the latter's service as lieutenant-governor of Natal, South Africa. [2]
Sir Henry Curtis is a fictional character in a series of adventure novels by H. Rider Haggard.His Zulu name is Incubu, which means "Elephant".He is the constant companion and fellow traveller of Allan Quatermain.
King Solomon's Mines is a 1950 Technicolor adventure film, and the second film adaptation of the 1885 novel of the same name by Henry Rider Haggard. It stars Deborah Kerr, Stewart Granger and Richard Carlson. It was adapted by Helen Deutsch, directed by Compton Bennett and Andrew Marton and released by Metro-Goldwyn-Mayer.
Allan Quatermain is an 1887 novel by H. Rider Haggard. [1] It is the sequel to Haggard's 1885 novel King Solomon's Mines. Allan Quatermain is the second novel and fourth overall story in the eighteen-part series of the same name, though chronologically it is the final entry.
It derives from H. Rider Haggard's King Solomon's Mines (1885), a widely influential work of fiction that Shah mentions deprecatingly in his own book. The debt to that work, however, and to others derivative from it, is recognised by Richard Pine in his Minor Mythologies as Popular Literature as but "the most recent" example of "the industry ...
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