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"Progress of the American Woman" from the North American Review, Elizabeth Cady Stanton (1900) [78] "Votes for Women", Mark Twain (1901) [79] Woman, Kate Austin (1901) [80] "Declaration of Principles", by the National American Woman Suffrage Association (1904) [81] The House of Mirth, Edith Wharton (1905) Herland, Charlotte Perkins Gilman (1909 ...
"Progress of the American Woman" from the North American Review, Elizabeth Cady Stanton (1900) [133] A Bundle of Fallacies, Dora Montefiore (1901) [134] Die Frauenfrage ihre geschichtliche Entwicklung und wirtschaftliche Seite, Lily Braun (1901) [135] "Votes for Women", Mark Twain (1901) [136] Woman, Kate Austin (1901) [137]
Elizabeth Fries Ellet (née Lummis; October 18, 1818 – June 3, 1877) was an American writer, historian and poet. She was the first writer to record the lives of women who contributed to the American Revolutionary War. [1] Born Elizabeth Fries Lummis, in New York, she published her first book, Poems, Translated and Original, in 1835. She ...
Bessie Coleman was the first African-American woman and first Black person in general to receive a pilot's license. Because of gender and racial discrimination, she learned French and went to ...
Beatrice Campbell, "Writer's Room With a View," The Guardian, 21 February 1989, image 35 (assembly of women writers from the USSR, the United States, and France" The Persephone Book of Short Stories," Persephone Books Ltd. 2012, ISBN 978-1903-155-905 is a collection of short stories written by women 1909-1986.
Norton released the third edition of the Norton Anthology of Literature by Women in February 2007, expanding the new edition into a two-volume set along with a companion reader. Additional material added sixty-one additional authors to the anthology, bringing the total to 219.
Pages in category "American women novelists" The following 200 pages are in this category, out of approximately 3,905 total. This list may not reflect recent changes .
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."