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"No Woman, No Cry" is a reggae song performed by Bob Marley and the Wailers. The song was recorded in 1974 and released on the studio album Natty Dread. [2]The live recording of this song from the 1975 album Live! was released as a single and is the best-known version; it was later included on several compilation albums, including the greatest hits compilation Legend.
Vincent Ford (10 November 1940 – 28 December 2008), known as "Tata" or "Tartar", was a Jamaican songwriter best known for receiving writing credit for "No Woman, No Cry", the reggae song made famous by Bob Marley & The Wailers, as well as three other Bob Marley songs. However, controversy persisted as to whether the compositions had actually ...
"So Lonely" is a song by British rock band the Police, released as the third and final single on 24 November 1978 from their debut studio album Outlandos d'Amour (1978). The single was re-released in the UK in February 1980, and reached No. 6 on the charts. [4] The song uses a reggae style, and featured Sting on lead vocals.
Justin Tranter pays attention to details. This applies to all aspects of the hit songwriter’s life: his home; his fashion; his Facet Records and Publishing; the queer, vegan, and songwriting ...
The song has been performed by artists as diverse as Boney M. (sung by Liz Mitchell), The Fugees, Pearl Jam, Jimmy Buffett, Rancid and Gilberto Gil. Songwriting credit for "No Woman, No Cry" went to V. Ford. Vincent Ford, better known as "Tartar" to his friends and neighbors, had been a kind friend of Marley as a child in Trenchtown.
"Don't Matter" was released in the United States in mid-January 2007. The song made its debut at number seventy-nine on the Billboard Hot 100 and reached number one after ten weeks on the chart, in large part due to its substantial airplay, the song topping the Hot 100 Airplay chart for two weeks. In the United Kingdom, it debuted on the ...
The song, originally titled "Can't Take Them Slogans No More" appears on a 1980 home recording cassette. Recording such 'idea' tapes was common in Marley's career, and many circulate in bootleg and online form. This, however, is the only song from this particular tape released so far.
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]