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Three Colours: White was met with critical acclaim; it holds an 89% rating on Rotten Tomatoes, with an average rating of 7.6/10, based on 55 reviews. The consensus reads: "Taking a lighter tone than the other films of the Three Colors trilogy, White is a witty, bittersweet comedy with heavier themes on its mind than one might at first realize ...
A symbol common to the three films is that of an underlying link or thing that keeps the protagonist linked to their past. In the case of Blue, it is the lamp of blue beads, and a symbol seen throughout the film in the TV of people falling (doing either sky diving or bungee jumping); the director is careful to show falls with no cords at the beginning of the film, but as the story develops the ...
another piece of unsourced rubbish is the end of the plot section - "The final image of the film shows Karol staring at Dominique through the window of her prison cell, while crying, aware that he must finally let go of her." - which is contradicted by the end of Red, and ignores his hand gestures and the cake he is carrying.
Back in theaters almost 30 years since it first debuted, Krzysztof Kieślowski's "Three Colors" trilogy finds a mystical hope in desolate times.
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White is the soundtrack to the film Three Colors: White by Polish composer Zbigniew Preisner and performed by Silesian Philharmonic choir along with Sinfonia. [ 2 ] Track listing
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It is the first instalment in the Three Colours trilogy, themed on the French Revolutionary ideals of liberty, equality and fraternity, followed by White and Red (both 1994). According to Kieślowski, the subject of the film is liberty , specifically emotional liberty, rather than its social or political meaning.
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