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Since they are seldom played in concert with other instruments and carillonneurs need standardized sheet music, carillons often transpose to a variety of keys—whichever is advantageous for the particular installation; many transposing carillons weigh little, have many bells, or were constructed on limited funds. [2]
Mellophone fingerings are the same as the trumpet. [3] It is typically pitched lower, in the key of F or E ♭. The overtone series of the F mellophone is an octave above that of the F horn. The tubing length of a mellophone is the same as that of the F-alto (high) single horn or the F-alto (high) branch of a triple horn or double-descant horn.
Some instruments are constructed in a variety of sizes, with the larger versions having a lower range than the smaller ones. Common examples are clarinets (the high E ♭ clarinet, soprano instruments in C, B ♭ and A, the alto in E ♭, and the bass in B ♭), flutes (the piccolo, transposing at the octave, the standard concert-pitch flute, and the alto flute in G), saxophones (in several ...
Elliott played mellophone in his high school band and played trumpet for an army band. After studying at the University of Miami he added vibraphone to his instruments. He recorded with Terry Gibbs and Buddy Rich before forming his own band. From 1953 to 1960, he won the DownBeat Readers' Poll several times for "miscellaneous instrument ...
Excerpt of the trumpet part of Symphony No. 9 of Antonín Dvořák, where sight transposition is required. Although transpositions are usually written out, musicians are occasionally asked to transpose music "at sight", that is, to read the music in one key while playing in another.
The drum and bugle corps activity has been a driving force of innovation behind the creation of marching brass instruments for many decades. The mellophone and the contrabass bugle are among the creations spawned by instrument manufacturers for use in the marching activity due to the influence of drum and bugle corps hornlines.
The bass trumpet is a type of low trumpet which was first developed during the 1820s in Germany. It is usually pitched in 8' C or 9' B ♭ today, but is sometimes built in E ♭ and is treated as a transposing instrument sounding either an octave , a sixth or a ninth lower than written, depending on the pitch of the instrument.
The sound of the flugelhorn has been described as halfway between a trumpet and a French horn, whereas the cornet's sound is halfway between a trumpet and a flugelhorn. [6] The flugelhorn is as agile as the cornet but more difficult to control in the high register (from approximately written G 5 ), where in general it locks onto notes less easily.