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In 2002, after extensive pressure from fans of the show, Jan Hammer finally released a more comprehensive collection of the score music he wrote for Miami Vice. While the first disc contained music that had already been released on previous soundtracks (namely the three Miami Vice albums and Hammer's own album, Escape from Television ), the ...
"Miami Vice Theme" is a musical piece composed and performed by Jan Hammer as the theme to the television series Miami Vice. It was first presented as part of the television broadcast of the show in September 1984, was released as a single in 1985, and peaked at number one on the Billboard Hot 100 .
Miami Vice is noted for its innovative use of stereo broadcast music, particularly pop and rock hits of the 1980s, and the distinctive, synthesized instrumental music of Jan Hammer. While other television shows used made-for-TV music, Miami Vice would spend $10,000 or more per episode to buy the rights to original recordings. [4]
"Smuggler's Blues" by Glenn Frey, blues rock, video inspired an episode of Miami Vice, 1984 (#12 on Billboard Hot 100) "You Belong To The City" by Glenn Frey from the Miami Vice soundtrack "Ice Ice Baby" by Vanilla Ice ("Miami's on the scene...My town, that created all the bass sound"), (#1 on Billboard Hot 100 in 1990)
"Crockett's Theme" is an instrumental song composed by Jan Hammer for the hit NBC television series Miami Vice. The surname Crockett refers to Don Johnson 's character, James "Sonny" Crockett . The initial version of the theme first appeared in the episode " Calderone's Return: Part 1 – The Hit List ", which aired on October 19, 1984, and ...
The album contains selected instrumental pieces composed and performed by Hammer that had been used as film score in the American television series Miami Vice prior to the album's release, along with the main theme to the series, plus one of Hammer's tracks that was not used in the series ("Before the Storm").
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As was customary for Miami Vice episodes, [6] "Out Where the Buses Don't Run" made use of popular music. The opening scene features "Baba O'Riley" by The Who, and "Brothers in Arms" by Dire Straits plays during the climactic scene. Incidental music by series composer Jan Hammer is used for the remainder of the episode's score. [7]