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The facial muscles are just under the skin (subcutaneous) muscles that control facial expression. They generally originate from the surface of the skull bone (rarely the fascia), and insert on the skin of the face. When they contract, the skin moves. These muscles also cause wrinkles at right angles to the muscles’ action line. [2]
The SMAS is clinically important in facial plastic surgery for rhytidectomy (facelift procedure).During this procedure, the SMAS is accessed through an arch-shaped incision anterior to the ear; a portion of the SMAS is then excised and the remaining SMAS is stretched by drawing it posterior-ward and suturing it, thus making the skin of the face which overlies the SMAS taut.
Scalene muscles; Sphenomandibularis; Splenius capitis muscle; Stapedius muscle; Sternocleidomastoid muscle; Sternohyoid muscle; Sternothyroid muscle; Styloglossus; Stylohyoid muscle; Stylopharyngeus muscle; Suboccipital muscles; Superior auricular muscle; Superior longitudinal muscle of tongue; Superior oblique muscle; Superior pharyngeal ...
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The zygomaticus major muscle is a muscle of the face. It arises from either zygomatic arch ; it inserts at the corner of the mouth. It is innervated by branches of the facial nerve (cranial nerve VII). It is a muscle of facial expression, which draws the angle of the mouth superiorly and posteriorly to allow one to smile. Bifid zygomaticus ...
Facial expression is the motion and positioning of the muscles beneath the skin of the face. These movements convey the emotional state of an individual to observers and are a form of nonverbal communication.
The corrugator supercilii muscle acts upon the skin of the forehead superior to the middle of the supraorbital margin, [1] drawing the eyebrow inferomedially to produce vertical wrinkles of the forehead [3] just superior to the nose. [1] It is the "frowning" muscle, and may be regarded as the principal muscle in the expression of suffering. [4]
Muscles of head and neck. The Facial Action Coding System (FACS) is a system to taxonomize human facial movements by their appearance on the face, based on a system originally developed by a Swedish anatomist named Carl-Herman Hjortsjö. [1]
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