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In geometry, a golden rectangle is a rectangle with side lengths in golden ratio +:, or :, with approximately equal to 1.618 or 89/55. Golden rectangles exhibit a special form of self-similarity : if a square is added to the long side, or removed from the short side, the result is a golden rectangle as well.
A golden rectangle with long side a + b and short side a can be divided into two pieces: a similar golden rectangle (shaded red, right) with long side a and short side b and a square (shaded blue, left) with sides of length a. This illustrates the relationship a + b / a = a / b = φ.
In each step, a square the length of the rectangle's longest side is added to the rectangle. Since the ratio between consecutive Fibonacci numbers approaches the golden ratio as the Fibonacci numbers approach infinity, so too does this spiral get more similar to the previous approximation the more squares are added, as illustrated by the image.
Fibonacci numbers are also strongly related to the golden ratio: Binet's formula expresses the n-th Fibonacci number in terms of n and the golden ratio, and implies that the ratio of two consecutive Fibonacci numbers tends to the golden ratio as n increases.
The Fibonacci numbers are a sequence of integers, typically starting with 0, 1 and continuing 1, 2, 3, 5, 8, 13, ..., each new number being the sum of the previous two. The Fibonacci numbers, often presented in conjunction with the golden ratio, are a popular theme in culture. They have been mentioned in novels, films, television shows, and songs.
A repfigit, or Keith number, is an integer such that, when its digits start a Fibonacci sequence with that number of digits, the original number is eventually reached. An example is 47, because the Fibonacci sequence starting with 4 and 7 (4, 7, 11, 18, 29, 47) reaches 47.
According to author Leon Harkleroad, "Some of the most misguided attempts to link music and mathematics have involved Fibonacci numbers and the related golden ratio." [61] With few exceptions, numerators for the meter signatures (over 100) in Karlheinz Stockhausen's Klavierstück IX are either Fibonacci or Lucas numbers. [62]
Consider a rectangle such that the ratio of its length L to its width W is the n th metallic ratio. If one remove from this rectangle n squares of side length W, one gets a rectangle similar to the original rectangle; that is, a rectangle with the same ratio of the length to the width (see figures).