Search results
Results from the WOW.Com Content Network
The element of value is compatible with the term luminosity, and can be "measured in various units designating electromagnetic radiation". [6] The difference in values is often called contrast , and references the lightest (white) and darkest (black) tones of a work of art, with an infinite number of grey variants in between. [ 6 ]
[2] [3] But the terms form and content can be applied not only to art: every meaningful text has its inherent form, hence form and content appear in very diverse applications of human thought: from fine arts to even mathematics and natural sciences. Even more, the distinction between these terms' meanings in different domains of application ...
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Elements of art – shape, form, value, line, color, space and texture Shape – area defined by edges; Form – perceived volume or dimensionality; Value – use of lightness (tint, or white) and darkness (shade, or black) in a piece of art; Line – straight or curved marks that span a distance between two points. For example, see line art.
The central visual element, known as element of design, formal element, or element of art, constitute the vocabulary with which the visual artist compose. These elements in the overall design usually relate to each other and to the whole art work. The elements of design are: Line — the visual path that enables the eye to move within the piece
Artistic research, also seen as 'practice-based research', can take form when creative works are considered both the research and the object of research itself. It is the debatable body of thought which offers an alternative to purely scientific methods in research in its search for knowledge and truth.
Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts.
The art historian Jennifer Raab of Yale University describes it as inherently contradictory: "it can delineate difference or emphasize unity". [2] She furthers that "the detail always points away from itself to something else–to other parts of a picture, to the work of art as a whole".