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An interesting feature of the poem is the second quatrain's two extended enumerations using 1-syllable words [6] that are very rare in the Polish language. A similar poetic device [7] [8] (Dźwięk, cień, dym, wiatr, błysk, głos, punkt - żywot ludzki słynie [9]) was used earlier by another Polish baroque poet, Daniel Naborowski in the poem "The Brevity of Life" (in Polish Krótkość ...
In art the Instruments either surrounded an image of Christ in andachtsbilder subjects such as the Man of Sorrows, or might appear by themselves - often the image of Christ's face on the Veil of Veronica was the focal point of the image. In both cases the purpose of the representations was to symbolize the sufferings of Christ during his Passion.
"Pensive Christ" (Chrystus Frasobliwy) by Władysław SkoczylasThe Pensive Christ (German: Christus im Elend – 'Christ in Distress' or Christus in der Rast; Polish: Chrystus Frasobliwy – 'Worried Christ'; Lithuanian: Rūpintojėlis) is a subject in Christian iconography depicting a contemplating Jesus, sitting with his head supported by his hand with the Crown of Thorns and marks of his ...
The indigenous form of the Pasyón was first written down by Gaspar Aquino de Belén in Ang Mahal na Pasión ni Jesu Christong Panginoon Natin na Tola (modern orthography: “Ang Mahál na Pasyón ni Hesukristong Panginoón Natin na Tulà”, "The Sacred Passion of Jesus Christ, Our Lord, Which is a Poem"), written in 1703 and approved in 1704.
Thou the [b] Father, Christ our Brother— all who live in love are Thine Teach us how to love each other lift us to the Joy Divine. Mortals join the mighty [c] chorus which the morning stars began Father-love [d] is reigning o'er us brother-love binds man to man. [e] Ever singing, march we onward victors in the midst of strife joyful music ...
The Dolorous Passion of Our Lord Jesus Christ is a book published in 1833, based on the visions of Anne Catherine Emmerich, a German Roman Catholic mystic and stigmatic. The visions she experienced on the Passion of Jesus were recorded and compiled by Clemens Brentano , a German romantic poet and writer, [ 1 ] who compiled them for the book.
A number of rural examples were established as attractions in their own right, usually on attractive wooded hills. These include the Sacro Monte di Domodossola (1657) and Sacro Monte di Belmonte (1712), and form part of the Sacri Monti of Piedmont and Lombardy World Heritage Site, together with other examples on different devotional themes. The ...
But he was wounded for our transgressions, he was bruised for our iniquities; upon him was the chastisement that made us whole, and with his stripes we are healed" . [31] The second prophecy of Christ's Passion is the ancient text which Jesus himself quoted, while he was dying on the cross.