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A recovering Phillip offers his share of the profits to help Barnum rebuild the circus in exchange for becoming a full partner, which Barnum readily accepts. To economize, Barnum transforms the enterprise into an open-air tent circus. The revamped circus is a huge success ("The Greatest Show").
He was principally concerned to develop a vision of moral value in sincere labour. Phillip Mallett called them "in effect the resumption of the concerns of Carlyle's Past and Present in another form." [2] Ruskin himself wrote in one letter that his work was done with Carlyle as the only man in England "to whom I can look for steady guidance." [3]
Carlyle strongly criticised the mechanisation of the human spirit and indicated the high moral costs of industrial change. In this sermon-like essay, Carlyle led a crusade against scientific materialism, Utilitarianism and the laissez-faire system. He believed that the freedom of the emerging mechanical society in England was a delusion because ...
The Fire-Lighters: A Dialogue on a Burning Topic (1938), a play by Laurence Housman, younger brother of Shropshire poet A. E. Housman. [ 22 ] Elsie Prentys Thornton-Cook, a New Zealand-born writer, wrote Speaking Dust (1938), a novel that is "a reconstruction of the lives of Thomas Carlyle and his wife shown against the dramatic background of ...
I firmly think we’d all be better people if we could understand our emotions the way Pixar explains them in the Inside Out franchise. Sadness is a feeling to be recognized and appreciated, not ...
Carlyle wrote on 27 October 1841 that he had thought of editing a journal, asking James Garth Marshall,. Is it not now that we are to sing and act the great new Epic, not "Arms and the Man," but "Tools and the Man";—to preach and prophesy in all ways that Labor is honorable, that Labor alone is honorable; that Idleness shall and must move out of its way, or be frightfully thrown into the ...
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Ruskin publicly acknowledged that Carlyle was the author to whom he "owed more than to any other living writer", [160] and would frequently refer to him as his "master", writing after Carlyle's death that he was "throwing myself now into the mere fulfilment of Carlyle's work".