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The Kebra Nagast, var. Kebra Negast (Ge'ez: ክብረ ነገሥት, kəbrä nägäśt), or The Glory of the Kings, is a 14th-century [1] national epic of Ethiopia, written in Geʽez by the nebure id Ishaq of Aksum.
The Kebra Nagast (var. Kebra Negast', Ge'ez, ክብረ ነገሥት, kəbrä nägäst), or the Book of the Glory of Kings, is an account written in Ge'ez of the origins of the Solomonic line of the Emperors of Ethiopia.
Tom Cringle (Book One), illustrated by Tad Hills, ... The Legacy of the Kebra Nagast and the Path to Peace and Understanding, Bear & Co./Inner Traditions, 2013;
Menelik I (Ge'ez: ምኒልክ, Mənilək) was the legendary first Emperor of Ethiopia.According to Kebra Nagast, a 14th-century national epic, in the 10th century BC he is said to have inaugurated the Solomonic dynasty of Ethiopia, so named because Menelik I was the son of the biblical King Solomon of ancient Israel and of Makeda, the Queen of Sheba.
The regnal list recorded by English Egyptologist Henry Salt in his book A Voyage to Abyssinia (1814). [92] A regnal list recorded by German explorer Eduard Rüppell in his book Reise in Abyssinien (1840). [93] He treated the line of kings from Constantinos to Dil Na'od as a continuation of the line of kings from variation 1.
The Kebra Nagast, a 14th-century national epic, describes the dynasty's claim to descent from Solomon, [26] and was used to justify the takeover from the Zagwe dynasty. The epic states that the Kingdom of Aksum was founded by Menelik I , who was allegedly the son of Solomon and the Queen of Sheba , known as Makeda in Ethiopia. [ 14 ]
Historian Harold G. Marcus describes the stories of the Kebra Nagast as a "pastiche of legends" created to legitimize Yekuno Amlak's seizure of power. [6] David Northrup notes that the Kebra Nagast's imaginative and emotive account of a line of descent from Solomon and Sheba to the kings of Aksum and the new Solomonic dynasty is highly ...
Although the Kebra Nagast indicates that the emperors of Rome or Constantinople and Ethiopia were descended from the Israelite king Solomon, there is an emphatically anti-Jewish sentiment expressed in several passages of the book. [29]
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