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On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and response ear training dictations, either alone or in ...
The bass pattern is an arpeggiation in the sense that its middle note (V) first arises as the fifth of the elaborated chord (I), of which it is the upper-fifth divider. [3] It is only when it meets with the passing note of the fundamental line that V becomes an independent chord within the first one. [ 4 ]
Style brisé (French: "broken style") is a general term for irregular arpeggiated texture in instrumental music of the Baroque period. It is commonly used in discussion of music for lute, keyboard instruments, or the viol. The original French term, in use around 1700, is style luthé ("lute style").
"Chant à la lune", incidental music to Salammbô (1886) [6] Joseph Haydn; String Quartet in F minor, Op. 20 No. 5 [7] The Human Abstract "Digital Veil" (2011) [8] King Crimson "Red" (1974). [9] Nirvana "Oh, the Guilt" (1993) (verses) "Blandest" (1988) (verses) Procol Harum "Whaling Stories" on Procol Harum – Live In New York (April 1971 ...
Sweep picking is a guitar-playing technique.When sweep picking, the guitarist plays single notes on consecutive strings with a 'sweeping' motion of the pick, while using the fretting hand to produce a specific series of notes that are fast and fluid in sound.
Racing is part of regular music as well. "Accelerando” and “stringendo” are terms used to indicate to the player that the piece is to pick up steam. Music that races can also quicken the pulse.
The fundamental line (German: Urlinie) is the melodic aspect of the Fundamental structure , "a stepwise descent from one of the triad notes to the tonic" with the bass arpeggiation being the harmonic aspect. [3] The fundamental line fills in the spaces created by the descending arpeggiation of the tonic triad.
"The background in music is represented by a contrapuntal structure which I have designated the fundamental structure". [9] It consists in the fundamental line counterpointed by the bass arpeggiation , together forming a counterpoint of the outer lines ( German : Außensatz ).