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A caryatid (/ ˌ k ɛər i ˈ æ t ɪ d, ˌ k ær-/ KAIR-ee-AT-id, KARR-; [1] Ancient Greek: Καρυᾶτις, romanized: Karuâtis; pl. Καρυάτιδες, Karuátides) [2] is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head.
The statue was noted in 1676 by the traveller George Wheler, and several ambassadors who had submitted applications to the Ottomans for its removal with any success. [ 6 ] [ 7 ] Around 1765–1766, the antiquary Richard Chandler , along with the architect Nicholas Revett and the painter William Pars , visited Eleusis and mentioned the statue as ...
A fragmentary caryatid from the series, now in the Villa Albani, Rome, is signed by the otherwise unknown Athenian sculptors Kriton and Nikolaos. It was acquired with other purchases from the Villa Montalto in 1787 [ 1 ] by Charles Townley , who bequeathed it to the British Museum in 1805, where its catalogue number is 1805, 0703 44.
Catholicism interprets the commandment not to make "any graven image, or any likeness of any thing that is in heaven above" to mean to not "bow down and worship" the image in and of itself nor a false god through the image. Catholic theology offers the following explanations of liturgical practice that features images, icons, statues, and the like:
The caryatid is the female precursor of this architectural form in Greece, a woman standing in the place of each column or pillar. Caryatids are found at the treasuries at Delphi and the Erechtheion on the Acropolis at Athens for Athene.
Statue of Archangel Michael slaying a dragon (interpreted to be Satan). The inscription on the shield reads: Quis ut Deus.Hallway in the headquarter of the former Military Order of Saint Michael in the Electoral Palace (now University of Bonn, Germany main building).
The presentation of Moses with rays of light remained common until the 19th century, for example appearing in the Bible illustrations of Gustave Doré (1866). The Bible says that Moses' appearance had changed when he returned from his lengthy encounter with God on Mount Sinai, a change represented in art by the "horns" or rays. Logically, in ...
The sixth caryatid was stolen (unproven) by the command of British Lord Elgin and is now held in the British Museum in London. [4] [5] There are two different views for the meaning behind the caryatid maidens in the literature, the first being a maiden dancer from the village of Karyes [3] and the second an imprisoned slave. [6]