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A masculine ending and feminine ending or weak ending are terms used in prosody, the study of verse form. In general, "masculine ending" refers to a line ending in a stressed syllable; "feminine ending" is its opposite, describing a line ending in a stressless syllable. The terms originate from a grammatical pattern of the French language.
For example, if the writer wanted to rewrite the above examples, he could write: Bells rang. Their resonance filled the air with clangor, startling pigeons into flight from every belfry. Upon hearing the sounds, the townspeople rushed into the streets. They all stood in silence and awaited the news. She drove to the movies.
Most of the pairs listed below are closely related: for example, "absent" as a noun meaning "missing", and as a verb meaning "to make oneself missing". There are also many cases in which homographs are of an entirely separate origin, or whose meanings have diverged to the point that present-day speakers have little historical understanding: for ...
For example, there are four possible endings to the 2012 video game Spec Ops: The Line, and three of the endings are chosen by what the player does in the epilogue. Epilogues may also be presented as peripheral downloadable content or expansion packs that supplements the main content or campaign mode of a game.
A false ending is a device in film and music that can be used to trick the audience into thinking that the work has ended, before it continues. The presence of a false ending can be anticipated through a number of ways. The medium itself might betray that the story will continue beyond the false ending.
Grammaticalization can involve content words, such as nouns and verbs, developing into new function words that express grammatical relationships among other words in a sentence. This may happen rather than speakers deriving such new function words from (for example) existing bound, inflectional constructions.
In English literature, the decline of the periodic sentence's popularity as identifiably grand style goes hand in hand with the development toward a less formal style, which some authors date to the beginning of the Romantic period, specifically the 1798 publication of the Lyrical Ballads, and the prevalence in twentieth-century literature of spoken language over written language. [7]
The grammar of Old English differs greatly from Modern English, predominantly being much more inflected.As a Germanic language, Old English has a morphological system similar to that of the Proto-Germanic reconstruction, retaining many of the inflections thought to have been common in Proto-Indo-European and also including constructions characteristic of the Germanic daughter languages such as ...